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There are such and such Cover albums. To the one occurs nothing more and the
other one makes somewhat from it. To latter species the BLINDSIDE BLUES
VOLUME counts around its Mastermind Mike Onesko. Exactly taken is "
Smokehouse Sessions" also no CD more fully newly interpreted classical author,
because the boss three own compositions contributed, which insert themselves
smoothly in the total concept. What an album! There simply something one does not
nachgedudelt, on the contrary so some TRACK a new life is eingehaucht. Or in-
hammered. That depends completely of the point of view. Robert Johnsons
Crossroads already in such a way some one tried, but I state now directly, never
before with as much success as the volume with the three Bs. Starting with a relaxing
acoustic Jam, the TRACK flows minutes later into a board-hard Rocker. "
Smokehouse Sessions" one gets livehaftig in the domestic living room transported.
There nothing is to be felt of the sterile atmosphere of a studio, on the contrary the
group succeeds in lending song the aliveness how I determined her to date rarely on
in comparable works. The party with one goes ultra heavy to expenditure loosely of
Little talks Rooster. A proper Ten clay hammer, coined/shaped by a heavy, sawing
Slidegitarre. Onekos raue Vocals, a mixture from Phil McCormack (MOLLY HATCHET),
Nicky of moorlands (SAMSON) and Glenn Hughes (DEEP PUR-POLARIZES among
other things), give additional peppering to the TRACK and let the Groove monster a
genuine killer become. Ten TRACKs in sixty-five minutes, that means expanded, but
never long-winded of song. After far over seven minutes Little flows… into following
skirt the ME baby. Driving reefs Rocker, who might let sit due to its Lebhaftigkeit
nobody quietly in the armchair. In a well-meaning manner noticed Southern Touch
lends… its special note to skirt. Dirty double Dealer, on the own muck grown, does
not fall interprets more badly than the foreign compositions. Oneskos singing adds
the Rocker a pleasant prize radio. Remarkably also the Drums, which sound in such
a way, as they have to sound even. The Snare crashes, the basins scheppern,
there straight forward is hammered. With Sweet Little fishing rod one believes to
push on a forgotten bead from the house SAMSON. The sensitive, bluesige number
with fine Leads screws the speed of the CD down, in puncto level puts one here
perhaps even still another Schippe drauf. The boys remain with the more leisurely
speed. Ramblin' On My Mind, a heavy, slowly creeping Blues' n' Boogie, may appear
not necessarily original in its presentation. It creates Mike Onesko also here by
means of its mad singing achievement to hold out to the TRACKs from the sump of
the mediocrity. In the long run is Ramblin' … a further fine part nascently, whose
Leadgitarre reminds something of Billy Gibbons. Only that with its Combo such a
thing evenly already longer no more did not publish. Dark, cold night in a meager
rock landscape. The wolves howl, the moon are only rarely to be seen. Thus a
Hoochie Coochie one sounds in the version the BLINDSIDE BLUES VOLUME.
Around light-years removes of well-known one. An expanded solo and the
sporadically used singing produce a threatening tendency, which penetrates proper
from the loudspeakers into the pores. Feeling purely! Same old situation moves
likewise in more leisurely speed regions, however with increased hardness.
Completely nicely failed, without being able to reach the class of the remaining
material however completely. Who Knows Jam is not only called here actually is in
such a way, gejammt. To be located and in a form, which one schwelgt in the faith,
before the stage of a small, sweated club. Contrary to the Gewichse on the
Griffbrett, to which some Bluesgitarreros high-praised last are inclined, one orients
oneself in the house BLINDSIDE BLUES VOLUME at the Lebensweisheit, which is
less a more often nevertheless. The Albatross flies last. Comparatively closely
oriented at the original (FLEETWOOD MAC), one points out again over-clearly by
means of this successful version, how highly the hammer hung with the sessions.
Obligation purchase!!!! Jürgen Ruland, (article list), 19.05.09
Sports
There are such and such Cover albums. To the one occurs nothing more and the
other one makes somewhat from it. To latter species the BLINDSIDE BLUES
VOLUME counts around its Mastermind Mike Onesko. Exactly taken is "
Smokehouse Sessions" also no CD more fully newly interpreted classical author,
because the boss three own compositions contributed, which insert themselves
smoothly in the total concept. What an album! There simply something one does not
nachgedudelt, on the contrary so some TRACK a new life is eingehaucht. Or in-
hammered. That depends completely of the point of view. Robert Johnsons
Crossroads already in such a way some one tried, but I state now directly, never
before with as much success as the volume with the three Bs. Starting with a relaxing
acoustic Jam, the TRACK flows minutes later into a board-hard Rocker. "
Smokehouse Sessions" one gets livehaftig in the domestic living room transported.
There nothing is to be felt of the sterile atmosphere of a studio, on the contrary the
group succeeds in lending song the aliveness how I determined her to date rarely on
in comparable works. The party with one goes ultra heavy to expenditure loosely of
Little talks Rooster. A proper Ten clay hammer, coined/shaped by a heavy, sawing
Slidegitarre. Onekos raue Vocals, a mixture from Phil McCormack (MOLLY HATCHET),
Nicky of moorlands (SAMSON) and Glenn Hughes (DEEP PUR-POLARIZES among
other things), give additional peppering to the TRACK and let the Groove monster a
genuine killer become. Ten TRACKs in sixty-five minutes, that means expanded, but
never long-winded of song. After far over seven minutes Little flows… into following
skirt the ME baby. Driving reefs Rocker, who might let sit due to its Lebhaftigkeit
nobody quietly in the armchair. In a well-meaning manner noticed Southern Touch
lends… its special note to skirt. Dirty double Dealer, on the own muck grown, does
not fall interprets more badly than the foreign compositions. Oneskos singing adds
the Rocker a pleasant prize radio. Remarkably also the Drums, which sound in such
a way, as they have to sound even. The Snare crashes, the basins scheppern,
there straight forward is hammered. With Sweet Little fishing rod one believes to
push on a forgotten bead from the house SAMSON. The sensitive, bluesige number
with fine Leads screws the speed of the CD down, in puncto level puts one here
perhaps even still another Schippe drauf. The boys remain with the more leisurely
speed. Ramblin' On My Mind, a heavy, slowly creeping Blues' n' Boogie, may appear
not necessarily original in its presentation. It creates Mike Onesko also here by
means of its mad singing achievement to hold out to the TRACKs from the sump of
the mediocrity. In the long run is Ramblin' … a further fine part nascently, whose
Leadgitarre reminds something of Billy Gibbons. Only that with its Combo such a
thing evenly already longer no more did not publish. Dark, cold night in a meager
rock landscape. The wolves howl, the moon are only rarely to be seen. Thus a
Hoochie Coochie one sounds in the version the BLINDSIDE BLUES VOLUME.
Around light-years removes of well-known one. An expanded solo and the
sporadically used singing produce a threatening tendency, which penetrates proper
from the loudspeakers into the pores. Feeling purely! Same old situation moves
likewise in more leisurely speed regions, however with increased hardness.
Completely nicely failed, without being able to reach the class of the remaining
material however completely. Who Knows Jam is not only called here actually is in
such a way, gejammt. To be located and in a form, which one schwelgt in the faith,
before the stage of a small, sweated club. Contrary to the Gewichse on the
Griffbrett, to which some Bluesgitarreros high-praised last are inclined, one orients
oneself in the house BLINDSIDE BLUES VOLUME at the Lebensweisheit, which is
less a more often nevertheless. The Albatross flies last. Comparatively closely
oriented at the original (FLEETWOOD MAC), one points out again over-clearly by
means of this successful version, how highly the hammer hung with the sessions.
Obligation purchase!!!! Jürgen Ruland, (article list), 19.05.09